GZA rocks the crowd at the Fillmore in New York City, September 12, 2008
The juggernaut known as capitalism becomes a steamroller when combined with the corporate entertainment history. All forms of artistic expression that break the barrier between the unknown and the popular are quickly co-opted by the industry, packaged, marketed, and force-fed to the willing masses.
Hip Hop hasn’t escaped this truism. Born in the South Bronx, the DJ and rapper formed two of the four parts of the hip hop culture rising at the time (the other two being breakdancing and graffiti). Similar to punk and to rock’n’roll in the 1950s, hip hop was rebellion in musical form. From the deconstruction of the popular music of the day in which singing was overdubbed and manipulated, and instruments were numerous and played with by sound producers, hip hop stripped it bare by having a DJ with a turntable and an MC with a mic. Read the rest of this entry »